“The world will look very different in the next decade than it does today. For travelers, this means the time to explore is now. . . Before our world’s landscape changes even more, here are the destinations that should go straight to the top of your bucket list in the next decade.”
Besides Taos Ski Valley, she recommends:
The Philippines
Macedonia
Elqui Valley, Chile
Great Barrier Reef
Malawi
Bolivia
Maldives
Mongolia
Koh Rong and Koh Rong Samloem, Thailand
Plus this:
“Taos Ski Valley in New Mexico is so much more than just a ski mountain. Rugged and remote, Taos is famous for its breathtaking scenery and the “legendary light” that has inspired artists like Georgia O’Keeffe. Taos has always had a sort of mystique about it. In 2013, billionaire Louis Bacon bought the mountain from its founders the Blake family, promising this lovably weathered mountain would get a “much-needed shot in the arm,” as The New York Times put it. This year, a chair lift opened to Kachina Peak, which had previously only been accessible by a hike. Thirty-five acres of new tree skiing opened, too, and the village’s ski lodge also got an upgrade. Ski Taos in the next 10 years to take advantage of these new developments, and also to experience the unique charm of the place while it lasts.”
One of the great pleasures of living at Taos Ski Valley’s Edelweiss Lodge and Spa is that in addition to my responsibilities for our two restaurants, I oversee the property’s lovely Alpine gardens. Okay — I am the gardener — and I love it.
I’ve always enjoyed gardening and have tilled soil since I was a kid — when I first planted a raw lima bean in some dirt behind our garage. I watered the spot religiously and within a week or two the darned thing sprouted. It was the most miraculous thing I had ever experienced. I still remember the thrill of discovering Mother Nature’s beginnings of life.
The memory of that childhood feeling came rushing back this morning as I was drinking coffee and sauntering past the oriental poppies in our front garden. The first five of our dozens of buds popped open overnight and greeted me with their beautiful salmon color, exotic form, and sensual mystery, as their long slender stems nonchalantly swayed in the morning’s quiet Alpine breeze.
Happily, photographer Jeff Caven is currently staying with us. I asked him to snap a photograph, and he kindly obliged. The lovely image is posted above.
Taos, of course, is famous for poppies, made so by its notable resident, Georgia O’Keefe. Long before artists like Robert Mapplethorpe (whose work I greatly admire) photographed sensual depictions of orchids and calla lilies, Georgia O’Keefe painted flowers, using photographic techniques such as cropping and close-ups, even before the technology of color film or large photographic blow-ups had been invented.
O’Keefe explained:
“A flower is relatively small. Everyone has many associations with a flower… still–in a way–nobody really sees a flower–really–it is so small…. So I said to myself–I’ll paint what I see…but I’ll paint it big and they will be surprised into taking time to look at it…even busy New Yorkers [will] take time to see what I see of flowers….When you [refering to critics and others who wrote about these paintings] took time to really notice my flower you hung all your associations with flowers on my flower as if I think and see what you think and see of the flower–and I don’t.”
Her most famous painting is arguably Oriental Poppies, painted in 1927 (two years before beginning her work in northern New Mexico) and is now part of the Weisman Art Museum‘s permanent collection in Minneapolis. Painted in New York, the work measures 30″ x 40″ and resembles an image as if seen through a magnifying glass. O’Keefe uses brilliant red and orange – pioneering at the time – juxtaposed with indigo of the flowers’ centers. The crisp shading and brilliant borders provide hypnotic contrast to the petals’ velvet texture. What soon became obvious to critics was the lack of context: there is no background to the painting, drawing the viewer’s focus deep into the flowers, presenting them as pure abstracts.
“Oriental Poppies”
Georgia O’Keefe (1887 – 1986)
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And so. . . this morning I was sipping coffee, enjoying the morning sunrise above the whispering pines — and there they were: magnificent poppies that a transplanted busy New Yorker not only noticed, but celebrated. A childhood amazement returned, a connection was made with Taos and its most famous artist, and a remembrance was triggered of a New Mexican poet, Santa Fe’s May Sarton [Eleanore Marie Sarton], who once wrote:
“Everything that slows us down and forces patience, everything that sets us back into the slow circles of nature, is a help. Gardening is an instrument of grace.”