Italian Film Producer Dino de Laurentiis, 91, Dies

From the Los Angeles Times:

LOS ANGELES — Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his nation’s film industry after World War II and for more than six decades produced films as diverse as the Federico Fellini classic “La Strada” and the 1976 remake of “King Kong,” has died. He was 91.

Mr. De Laurentiis, who moved to the United States in the 1970s and continued to produce films until 2007, died Wednesday night at his Beverly Hills home, his daughter Raffaella De Laurentiis said Thursday. The cause was not given.

Mr. De Laurentiis began his career as a producer in Italy in the 1940s and in the next decade produced two Oscar-winning best foreign films: Fellini’s “La Strada” (with then-partner Carlo Ponti) and Fellini’s “Nights of Cabiria.”

During the De Laurentiis-Ponti partnership in the ’50s, they launched into foreign-film production in Italy, producing director Mario Camerini’s “Ulysses,” and King Vidor’s “War and Peace.”

As producers in Italy after World War II, “De Laurentiis and Ponti in particular took the function of producer, which had never been highly regarded in European cinema before this and raised it to a higher level,” said University of Southern California film professor Rick Jewell.

In 1962, the producer began building a sprawling studio complex on the outskirts of Rome that he called Dinocitta: Dino City.

During the 1960s he produced films such as “Barabbas,” “The Bible” and “Barbarella.” Mr. De Laurentiis is credited with pioneering the now-common practice of financing films by preselling the distribution rights in foreign countries.

After selling his studio and moving to the United States in the 1970s, De Laurentiis produced films such as “Serpico,” “Death Wish,” “Three Days of the Condor,” “The Serpent’s Egg,” “Ragtime” and “Conan the Barbarian.”

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Further reading:

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It’s All About Authenticity

Sangiovese grapes at Casanova di Neri

 

Forget about scores.  They’re not the problem

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From Wine Spectator’s Matt Kramer

Authenticity is the transformative force right now.  The best wines made today — the most persuasive wines — come from the regions, the zones and, above all, the producers and consumers where the demand for authenticity is strongest. 

Conversely, many of today’s shallowest, most facile wines are created by winegrowers — and sometimes celebrated by wine critics — who dismiss, disregard or are even contemptuous of authenticity. 

Those who refuse to acknowledge authenticity — either as producers, critics or consumers — are certainly numerous.  But look around:  Are they convincing anyone?  Growers who use reverse osmosis and spinning cones to deconstruct and reconstruct their wines are furtive, not evangelical, while those who pursue authenticity are winning the proverbial hearts and minds and, not least, palates. 

Today’s transformation of fine wine is rooted in authenticity.  Because without a belief in, and an adherence to, authenticity, why bother? 

Read the whole thing. 

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